Bramah House

In a groundbreaking collaboration between artist and architect, the anodised aluminium cladding of Bramah House and Woods House became a giant canvas for painter Claire Woods.

Make Architects identified the need to texture the cladding so that it captured and reflected light. They worked with Futurecity to develop proposals for an embedded artwork.

Woods took inspiration from her photos of the surrounding historic buildings, the railway, heritage dock, and the historic lime trees which had once lined the dockside. Her finished design – a semi-abstract image that shadows the trees and the old pumping station chimney was blown up in scale and etched onto the aluminium cladding.

Clare worked closely with Make to blow up and transpose her designs onto the façade of the residential block, through a process of etching onto its anodised aluminium panel. The vast etched façade now responds to changes of natural light as it hits different areas of the surface throughout the day.

The design collaboration inspired other opportunities for the building, including the idea of ‘driftwood’ balcony rails and laser cut balcony panels influenced by Woods' drawings.

Year

2008

Client

St James Group

Artists

Clare Woods

Partners

MAKE Architects

Location

London

Service

Public Art Curation & Commissioning

Sector

Mixed Use & Residential

Type

Façade

“It was hard to keep the vision going for so long. I worked on the project since 2004. As an artist, I’m used to working a lot faster. But it was an amazing experience to have a piece of work made at that scale. There is definitely a lot more scope for artists, designers, and architects to collaborate.”

Clare Woods, artist

"Reflecting on Clare Woods RA vast aluminium ‘tree’ façade, ‘drawing’ balconies and driftwood handrails for Grosvenor Waterside (2005-7) which are now such a landmark, I am reminded of how the Futurecity commission propelled her into a trajectory of other public commission works. The opportunity for artists to work ‘differently’ is part of the CEO of the company, Mark Davy's DNA”.

Dr Jean Wainright, author, academic and curator